eclipse vs denford...
Originally posted by JohnVroom:
^ Sorry that is incorrect and you should know every manufacturer can change the sound of their products. Bob Carver proved this with his null-testing in a public forum. Products measure differently and audibly so, but in an ABX the differences (which are usually very small) are not easy to point out (don’t know why ). Sorry but it is true, it isn’t voodoo it is electrical engineering. The question is: is the difference worth the price?
^ Sorry that is incorrect and you should know every manufacturer can change the sound of their products. Bob Carver proved this with his null-testing in a public forum. Products measure differently and audibly so, but in an ABX the differences (which are usually very small) are not easy to point out (don’t know why ). Sorry but it is true, it isn’t voodoo it is electrical engineering. The question is: is the difference worth the price?
[ March 24, 2004, 11:03 AM: Message edited by: Imbroglio ]
^ Good point, they only negative feedback I will give is to keep an open mind. This is so that when a change that makes a difference (and shouldn’t from your point of view) it can be accepted and pursued rather then dismissed.
A lot of people say multibit or single bit is the way to go, oversampling, upsampling I try to take it all with a grain of salt, disguising hyperbole with actual technology is marketing devil-work. Marketing is the devil!
true, does a S/N of 110 sound better than a S/N of 90? What does .0002% THD sound like compared to .02%? Sometimes we measure things to determine performance (not unlike HP in a car) but it is not a measure of actual performance (power to weight ratio). I think this is true in audio in general but the things I am talking about are visual plotting reports (Melissa) but do they really tell you how a product sounds? I mean even our speakers measure very similarly but sheez they sound like night and day, and flat output just sounds "like pooh".
A lot of people say multibit or single bit is the way to go, oversampling, upsampling I try to take it all with a grain of salt, disguising hyperbole with actual technology is marketing devil-work. Marketing is the devil!
Electrical engineering is one thing, audibility is another.
Oh? You've taken a double blind test with controlled variables? I'm not referring to colourization due to EQ's, XO's, or any other inboard processing on the unit. If you can hear it, after doing all of this, you have better ears than anyone I have ever heard of.
My bottom line, there is a difference and is it worth the cost of admission? Yes (to a point) but I also believe there isn’t an inherent amplifier sound, they can and do sound different, but they do not have to.
Originally posted by DaZZ:
yeah i have the xtant 403a... it has the capabilities built-in... but would it be bad running a lower voltage that the range it was intended for? can i use the same rcas?
i have no problems with noise...
only reason im considering... just because i can i guess... its pretty much not going to cost anything, my deck is about 4-5 yrs old and it would be nice to have a newer deck, theres a lot of sq hype about the denon, and i wouldnt be trading much feature wise between the 2...
also... both deck are very simplistic with minimal functions (only useful ones)...
does the denon have a sub control (volume and phase), play cd-rs & rws, and read cd-text?
thanks
yeah i have the xtant 403a... it has the capabilities built-in... but would it be bad running a lower voltage that the range it was intended for? can i use the same rcas?
i have no problems with noise...
only reason im considering... just because i can i guess... its pretty much not going to cost anything, my deck is about 4-5 yrs old and it would be nice to have a newer deck, theres a lot of sq hype about the denon, and i wouldnt be trading much feature wise between the 2...
also... both deck are very simplistic with minimal functions (only useful ones)...
does the denon have a sub control (volume and phase), play cd-rs & rws, and read cd-text?
thanks
Originally posted by JohnVroom:
</font><blockquote>quote:</font><hr /> Oh? You've taken a double blind test with controlled variables? I'm not referring to colourization due to EQ's, XO's, or any other inboard processing on the unit. If you can hear it, after doing all of this, you have better ears than anyone I have ever heard of.
</font><blockquote>quote:</font><hr /> Oh? You've taken a double blind test with controlled variables? I'm not referring to colourization due to EQ's, XO's, or any other inboard processing on the unit. If you can hear it, after doing all of this, you have better ears than anyone I have ever heard of.
My bottom line, there is a difference and is it worth the cost of admission? Yes (to a point) but I also believe there isn’t an inherent amplifier sound, they can and do sound different, but they do not have to. </font>[/QUOTE]I agree. Some amplifiers have idiosyncracies that separate them sonically from others, however, it is my opinion that if this is present, the amplifier is crap (save Tube). The amplifier, at least in my functional understanding of it, serves one purpose and one purpose alone. To amplify the signal provided to it. If it does anything other than this (colouration of signal due to onboard XO features/EQ/Bassboost(same bloody thing)etc) then it's either broken, or poorly designed. Again, this is my stance on this due to the simple fact that I want accurate reproduction of what's on my CD, as that's the way it was meant to be listened to. Convenience has overshadowed quality.
You said a magical phrase within your post that 99% of everyone I see compete or otherwise, ignore. Subtle nuances from a HU, Amplifier, or other piece within the system can be EQ'd out with enough time and know-how with a 31 band EQ. I see people dropping ungodly amounts of cash (I was guilty of this once...Arc Audio does not come cheap - nor does archaic Sony ES equipment) on Amplifiers, HU's when it could be saved and put towards signal processing with money left over.
In my limited experience within the 12V industry, I see far too many people with the ability to regurgitate T/S Parameters, pumping out S/N Ratios, THD % (For some reason people neglect the fact that speakers induce more than most any amplifier...odd)and have forgotten completely how to listen.
Level matching, another thing you mentioned, is the most overlooked aspect of setups that I see around. Perhaps if this was done properly more often, the 1% of the listeners with accute enough ears to pick up on the subtle differences between equipment would actually BE 1%, instead of the 80+% of the people that claim to hear them presently.
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[/QB][/QUOTE]what difference did you notice, more defined midrange, fuller midbass etc

